The LCT 450 steps up to the plate with the LCT 540’s capsule and thus features a natural, authentic sound with first-class transient response due to the ultra-thin, gold-layered, low-mass, 1-inch diaphragm, while its cardioid polar pattern ensures effective rear sound rejection both onstage and in the studio. It comes with two-step switchable pre-attenuation for an ear-splitting maximum SPL of 173 dB at 20 dB of attenuation. Two low-cut settings help to reduce unwanted low-frequency noise like wind, footsteps or the like.Clever features known from flagships like the LCT 640 or LCT 940 are also onboard, including automatic attenuation and clipping history – as well as, of course, the illuminated user interface for quick and easy handling in dark environments. All this, combined with the brilliant, clear and authentic sound that characterizes our recording microphones, has been packed into our well-known LCT 240 housing to ensure that the LCT 450 isn’t too dominant as an onstage overhead; studio users, on the other hand, will appreciate the appealing look that reflects its professional inner workings.In short: the LCT 450 has everything it needs and nothing more, so what you pay for is pure performance rather than gimmicks. The LCT 450 is LEWITT’s gateway to the world of large-membrane condenser microphones for everyone who’s looking for the best performance at an affordable price!
Features
LEWITT’s gateway to the world of large diaphragm condenser microphones – at an affordable price
1-inch true condenser capsule in a small housing
Natural authentic sound with first-class transient response
3 micron thin gold-sputtered Mylar diaphragm
A perfect choice for vocals, overheads and acoustic instruments
Cardioid polar pattern for effective rear sound rejection
9 dB (A) self noise
138 dB dynamic range
SPL max of 158 dB (A)
Immune to electromagnetic interference thanks to transformerless preamplifier circuitry
Illuminated user interface for quick and easy handling in dark environments
Noiseless pushbuttons for attenuation and low-cut selection
Automatic Attenuation and Clipping History mode
Rugged zinc die cast body
Internal shock mount for maximum reduction of structure borne noise
Corrosion-resistant gold-plated 3-pin XLR output connector
Top applications
Vocals & background vocals
Classic drum & percussion overhead
Acoustic instruments (strings, guitars, piano and similar)
Ambitious stereo recording techniques (XY, ORTF, AB, )
Tech Data
Acoustical operating principle
pressure gradient transducer, externally polarized
Diaphragm
3 micron gold sputtered Mylar
Transducer Ø
25.4 mm / 1 inch
Polar pattern
cardioid
Frequency range
20 to 20,000 Hz
Sensitivity
18 mV / Pa (-35 dBV)
Enclosure
zinc die cast
Connector
gold plated 3-pin XLR
Dimensions
138 x 52 x 36 mm5.43 x 2.04 x 1.42 inch
Net weight
357 g13.12 oz.
Signal / noise ratio
85 dB (A)
Equivalent noise level
9 dB (A), according to IEC 60268-1
Dynamic range of FET mic. Amp.
138 dB (A)
Max. SPL for 0,5 % THD
147 dB, 0 dB pre-attenuation158 dB, 20 dB pre-attenuation
Pre-attenuation pad
20 dB / switchable
Low cut
12 dB / octave at 80 Hz
Rated impedance
< 150 ohms
Rated load impedance
> 1.000 ohms
Supply voltage
48 V +/- 4 V
Current consumption
5.5 mA
* Giá sản phẩm trên Tiki đã bao gồm thuế theo luật hiện hành. Tuy nhiên tuỳ vào từng loại sản phẩm hoặc phương thức, địa chỉ giao hàng mà có thể phát sinh thêm chi phí khác như phí vận chuyển, phụ phí hàng cồng kềnh, ..
